The 35mm f/2 was in production for 17 years starting in 1979, and it was a hit, to say the least. Camera: Arri Alexa LF Lens: Panavision Ultra Vistas 1.65x squeeze anamorphics. Format: ProRes 4444 UHDCamera: Arri Alexa MiniLens: Cooke s5i. These lenses range from the disruptive tilt-shift variants to fast f/1.2 primes, all of them can be used with this camera. It’s noted as the maximum width to which it can open. 1 offer from $89.97 #13. All are excellent performers and opinion varies as to which is best. Disagree with our picks? Many shooters will stress that investing in good lenses is more important than buying fancy camera bodies. Key considerations. Contributors to this article include Erik Fritts, Robin Cripe and the Videomaker Editorial Staff. Additionally, while new video cameras are being made every year, the technology in optics just doesn’t advance as fast. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. Best of all, the Z 50 is terrific value, especially when bought as a twin-lens kit. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, make very similar 24-70mm zoom lenses. The Venice has a cooler sensor with a bit more snap to the blacks, which paired well with the more vintage lenses. It’s a subtle change, you still recognize “The Crown” look but a little less “period like.” We wanted to stay consistent to our look but at the same time evolve with the story and the period. The whole Irix cine lens line is built with a stout construction and has rubber seals for rain or dust protection. The focal length of macro lenses usually varies between 35mm and 200mm. He wanted the audience to experience the story through our protagonists’ eyes. Since much of the drama would be captured through intimate close-ups, we felt the choice of glass was essential. It specifically states that the 50mm field of view on a full-frame is too narrow for the author's taste. AF: Autofocus can be a useful feature, but unless the camera supports continuous autofocus, it’s just not as useful for video work as it would be for stills. A critical difference that Morten wanted to distinguish was how the audience saw Jacob. Simply put, once you look at side-by-side closeups on the big screen, there is nothing more emotional and powerful than film. Lenses are key to making your favorite camera create the images you envision. It’s no wonder so many people agonize over new lens purchases. Since our collaboration began on “Ex Machina” we have avoided referencing other projects or photographers. The main types of sensors to consider here, from largest to smallest, are full frame, APS-C and Super35, and Micro Four Thirds. In total, the lens weighs just 13.2 oz (373g). OLYMPUS OM-1. Think of a shot where the subject is in focus and the background is very blurry; it was probably done with a wide open aperture, like f/2.8 or wider. Zoom lenses are typically more expensive, especially as the zoom range increases. Likewise, lenses with wider maximum apertures will usually be more expensive. The Yongnuo YN 50mm is very similar in design to the Mark II version of Canon’s famous “nifty fifty” with the body and lens mount made of plastic. Because cinematographers value consistency, cine primes are often sold in sets. This means you’ll likely need to adjust your exposure when zooming. With continuous AF, your camera locks onto an object and maintains focus while the subject moves through focal planes — clearly, a highly useful function. It is compact and features a fixed lens. But, if you use a lens for a crop sensor on a full frame camera, the image will only cover a portion of the sensor. Canon’s L-series glass and Super Spectra coatings limit flare and ensure the highest image quality in terms of color and contrast. Since full frame sensors are the largest, the image from a full frame lens will cover a smaller sensor. Fewer elements in prime lenses also leads to generally sharper images compared to equivalent zoom lenses. Additionally, it features a customizable focus-hold button and aperture ring with a click on/off switch. It is probably the best example of an incredible lens staying an incredible lens there is. For this, we covered Jacob more objectively from a distance. For me the 100mm f2 ED was disappointing, needs f5.6 to get proper IQ. After testing, I realized the newer LF sensor allowed us to shoot at 1600 ISO as a base, giving an extra stop in the highlights without an increase in noise compared to the normal Alexa sensor. Scenes often played out exclusively from either Andy or Laurie’s perspective, with the camera in close, sometimes inches higher than their eyeline. I love the Super Speeds, they are really soft and fast, really deliver an amazing period look without being too glossy or romantic. The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. There are also manufacturers such as Sigma, Tamron, Rokinon and Fujinon that offer the same lens across several different mounts. However, we would advise most filmmakers shopping in that price range to buy a higher-quality stills lens for a comparable price and modify it with a follow focus and other lens accessories to get the cinema functionality you need. The Alexa Mini body is light enough to use on a Steadicam and MoVI, and small enough to handle the tight locations or crowded rooms we find ourselves in sometimes. This was my first experience shooting a limited series for television and my approach was no different than when I shoot a movie. Being able to use the large sensor on the Alexa LF, and combine it with the fall off of large-format anamorphics, helped the show feel ‘big.’ This is a very important aspect in the Star Wars universe. This zoom range covers the most commonly used focal lengths. The Videomaker Editors are dedicated to bringing you the information you need to produce and share better video. There are lenses made decades ago that, with proper adapters, can be mounted to modern cameras for stunning results. However, moving from f/4 to f/2.8 can make a big difference for videographers working in low light situations. The Supreme Primes have a lovely texture to them, not too sharp but absolutely not soft. As digital video resolutions increase, our need for storage increases as well. Additional lenses: Angenieux Zooms, Panavision T series Anamorphic, Arri Shift and Tilt set. We just had to watch out: in some brightly backlit scenes, with the lens all the way stopped down, we would occasionally see the actual metal iris blades inside the lens reflected onto our image, and in sharp focus. All of our visual choices revolved around camera direction, blocking, and composition. All the latest video techniques and gear reviews, sent straight to your inbox. Discover the best SLR Film Cameras in Best Sellers. The 35mm 1.8 DX Nikon is the same field of view as a 50mm lens … Build quality of the Sony G Master 85mm is very high and while the lens isn’t fully weather-sealed it offers dust and moisture resistance. We get it. While lenses with full frame coverage are generally more expensive, they’re also more versatile. First establish up front what style of video you’ll be filming. This versatile, high-speed zoom lens may not be as refined as pricier options but there isn’t anything they can do that the Tamron 28-75mm F/2.8 can’t. Every camera manufacturer has a different system for connecting lenses to their cameras. Firstly, if you are looking at a Canon film camera because you already have a Canon Digital SLR and want to share lenses then be careful – chances are if you have one of the less expensive Canon cameras you will have bought it with a EF-S lens, such as the EF-S 18-55mm f/3.5-5.6 in one of its several incarnations. Having depth in night urban landscapes was important for VFX to extend the night hybrid city. They ensure a low level of distortions and aberrations. While our iPhones are pretty great at taking photos and video (the best camera is the one with you) by themselves, you can always improve it with lens kits. All rights reserved. Unlike F-stops, T-stops represent how much light hits the sensor rather than how wide the aperture is. When you shop for a new lens, make sure the one you choose will attach to your camera. Greig Fraser: Traditionally, Star Wars films have mostly been shot 2.40. I thought this was the perfect use of this lens, to help tell this story of a family falling further and further out of clarity from one another. Sign Up: Stay on top of the latest breaking film and TV news! This connection is known as the mount. Every frame has the potential to become a layered tapestry. Our creative conversations were motivated only by what was on the page and how to translate it. These lenses share similar image quality characteristics and physical design, making it easy to switch lenses between shots. Camera: Sony FS7 Lens: Canon EF 24-105 f4/L, EF 70-200 f4/L. A recessed board might be needed on some cameras for lenses wider than 90mm. We wanted to visually underscore the instability of Jackie as she goes on her literal journey of self discovery. This article will help you understand some of the key features that distinguish different lenses. The choice of lenses reflected our desire for contrast and color. We were drawn to anamorphic, specifically because its bokeh (the out of focus part of the frame) created a skewed backdrop for their close-ups, subtly depicting their fracturing world. In a film camera, the lens sends the light to the film strip, while in a digital camera (like DSLRs or mirrorless cameras), the lens directs light to a digital sensor.Camera lenses are made up of a series of glass plates that are convex (curved outward) or concave (curved inward). They’re designed with full-frame cameras, covering the full sensor. Selective focus and split focus shots were used to echo the ability in graphic novels to compose in depth but with deep focus. I shot with the Sony Venice because I’ve gravitated toward the Sony sensor for shooting digital and because it reads lenses so accurately. The lens’ 11 blade diaphragm ensures a well-rounded bokeh. We switched to a full frame camera, where the sensor is essentially the same size as the old vistavision film camera’s negative area. The Sony APS-C sensor a6 series has been the best selling mirrorless cameras in history. The Sigma 24-70mm f/2.8 also has a number of protections against aberrations and an optical stabilizer system which is a great aid to help steady your footage when shooting handheld. 99% of the show was on 35mm, 50mm, 65mm. While it’s becoming more common, some cameras don’t offer good continuous AF, making autofocus features on a lens somewhat limited for video. Additional information below, but if you are limited on time, here is the list: Kit Lens - Nikon 50mm f/1.8 Series E; Wide Angle Lens - … When shopping for a new lens, look for maximum apertures of f/4 or wider. The Canon EF 50mm f/1.2 USM offers a usable level of sharpness even at maximum aperture and filmmakers will looking for extremely shallow depth of field won’t be disappointed. In terms of lens availability, there are thousands of Canon FD mount lenses available and therefore you are able to pick up a full focal range for a relatively humble sum. The Canon EF 50mm f/1.2 USM can be a difficult lens to master as its low aperture will easily lead to overexposure but, for those confident in their abilities, the degree of control and precision provided by this lens is unparalleled. Hasselblad XPan. Kira Kelly: This was the only episode of the season I shot, so when I arrived the camera package was already established. The majority of the show was shot using only three focal lengths, the 29mm, 40mm and 65mm. The article is about lenses that have a field of view of a 35mm lens on a full frame camera. Format: 3.2K Apple ProRes 4444 / ARRI Log-CCamera: Arri Alexa Mini (Panavised)Lens: Panavision Primos, mostly the 24mm and 30mm. However, they can take the place of several prime lenses and are convenient for run-and-gun situations where you’re reframing often. It's an expensive option for beginners, but this is a powerful camera that starts simple and could last you a long time as a lead-in to the Nikon full frame mirrorless system. Format: Redcode 8K RawCamera: Panavision Millenium DXL 2Lens: G series anamorphic primes. The image is a little soft when the aperture is wide open but closing down a stop or two brings good quality and sharp image. 28-300mm VR (2010-today) top . Paul Cameron: This year we explored the idea of Digital Capture to enhance the futuristic visual elements of the show.
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